Professor: Dr. Susan N. Kiguli Makerere University
Lecturers
Days and Times: Tuesday and Thursdays
Course Description:
This course aims to engage you in a dialogue on the intercultural encounters inevitable in the reading and analysis of African Literature. The course will prove an exciting journey to and through the thinking and life of the African people as you hear and read the novels, plays, poems and the orature of post colonial Sub Saharan Africa. It seeks to show that African Literature is not a homogenous whole; it exists where national and ethnic cultures are in reality enormously varied. You should take into consideration the idea that African Literature includes a host of forms for example story telling, dance, music and mime. It also actively connects with issues that are intimately influenced by the socio-cultural and political conditions of Africa. The course will also develop as consistently as possible a discussion on the question of language in African Literature. You may at times find your own world view challenged or even questioned. It will help greatly if you come with an open mind, ready to give and take.
Literature Course Objectives:
- Understand problems relating to the term "Postcolonial Literature."
- Identify the role of literature in developing a national identity in African nations.
- Encounter African perspectives on European images of Africa.
- Identify and analyze underlying Western assumptions and disposition about itself and of its vision of the world.
- Identify primary themes in African literature.
- Identify the presence of African oral tradition in the language of characters.
- Identify differences in the African writer's use of characterization, time, and plot.
- Identify what is different about African literature from the position of cultural specificity.
- Be able to situate African writing within three contexts: racial reference, emerging discourses of the third world, and its relevance to certain currents of thought in the West on modernity.
- Recognize the polemical stance of African discourse as a deconstruction of the Western image of the native, the black, the African as well as a construct informed by major trends of thinking by major African writers.
- Evaluate and examine one's own Eurocentric visions of Africa.
- Develop humility with a new awareness of the radical change in Black Africa's views of itself and the West.
- Develop a keener sensitivity and desire to engage in global issues of justice and liberation of men and women from every kind of
oppression.
Policies and Expectations:
- Attendance:
Class will depend heavily on discussion of reading
assignments. It is essential that you attend class regularly, read actively
(annotate), listen, and discuss to earn class participation points. Only one
absence will be excused without question.
- Class Preparation:
Reading assignments must be completed BEFORE
class on the day they are scheduled. Active reading requires annotating the text
for class participation and to be prepared for open book quizzes. Preparation
for class and active participation in class discussion is a requirement to earn
an "A" in the class. All writing assignments will have specific due dates unless
you consult with me ahead of time.
Go ED. Writing Standard:
It is expected that any college level course
may contain writing assignments as part of student evaluations. Students are
expected to produce written work that is focused, well developed, organized, and
relatively free of grammatical, punctuation and spelling errors. Papers that do
not meet this standard will be returned to the student for revision within a
reasonable time.
Criteria for college level writing requires that an essay:
- has a clear thesis and maintains a focus
- paragraphs are well developed with topic sentence and adequate support
- has smooth transitions and flow of ideas
- is grammatically correct
- borrowed ideas are documented correctly using MLA format
Course Evaluation and Record:
Record your grades below. Divide the total number of points by the total points possible (1200) to figure your course grade at any time during the semester.
-- Things Fall Apart Quiz 1 100
-- The River Between Quiz 2 100
-- Song of Lawino Quiz 3 100
-- Death of a King's Horseman Quiz 4 100
-- So Long a letter Quiz 5 100
-- No Longer at Ease Quiz 6 100
-- Nervous Conditions Quiz 7 100
-- Class Participation 100
-- Oral Literature Project 200
-- Total Points 1000
Grading Scale:
95-100 A
92-94 A-
89-91 B+
85-88 B
82-84 B-
79-81 C+
75-78 C
72-74 C-
69-71 D+
65-68 D
62-64 D-
61- F
Required texts:
- Chinua Achebe -- Things Fall Apart
- Ngugi Wa' Thiongo -- The River Between
- Okot p' Bitek -- Song of Lawino
- Wole Soyinka -- Death and the King's Horseman
- Mariama Ba -- So Long a Letter
- Chinua Achebe -- No Longer at Ease
- Tsitsi Dangaremgba -- Nervous Conditions
Course Outline:
| Day |
Topic |
| 1 |
Course Introduction
Post Colonial literature debate, identity, cultural concerns and the political context in African literature
|
| 2 |
African oral literature forms and functions of oral literature and the Orature Debate
|
| 3 |
Chinua Achebe -- Things Fall Apart
Quiz #1 (100 points)
Discussion
|
| 4 |
The Tension and Passion of the Colonial Encounter
Postcolonialism and the language question
|
| 5 |
Traditional Gukuyu Aesthetics and Views on Female Circumcision
|
| 6 |
Ngugi Wa' Thingo -- The River Between
Quize #2 (100 Points)
Discussion
|
| 7 |
Nationalism and Form in Modern African Poetry
|
| 8 |
Okot p' Bitek -- Song of Lawino
Quiz #3 (100 points)
Discussion
|
| 9 |
Socio-Cultural Background and Issues in African Drama and Theatre
The Literary Tradition of Nigerian Theatre
|
| 10 |
Wole Soyinka -- Death and the King's Horseman
Quiz #4 (100 points)
Discussion
|
| 11 |
Chinua Achebe -- No Longer at Ease
Quiz #5 (100 points)
Discussion
|
| 12 |
Voices of African Women
Mariama Ba -- So Long a Letter
Quiz #6 (100 points)
Discussion
|
| 13 |
Choice, Solidarity and the African Woman Experience
|
| 14 |
Tsitsi Dangarembga -- Nervious Conditions
Quiz #7 (100 points)
Discussion
|